
Paley argues that if you found a watch on the ground, you would immediately know someone designed it—its complexity and purpose prove it has a watchmaker. The universe is vastly more complex than a watch, with intricate designs like the human eye, planetary orbits, and adapted animal parts. If a watch needs a maker, then the infinitely more complex universe must need a designer too. That designer is God.
Paley calls this "Design qua Purpose" (design shown through the complexity and purposiveness of things) and "Design qua Regularity" (design shown through the lawful, orderly operation of nature).
William Paley (1743-1805) was an English theologian and philosopher. His most famous work is Natural Theology; or, Evidences of the Existence and Attributes of the Deity, Collected from the Appearances of Nature, published in 1802.
In this book, Paley presents what is arguably the clearest and most persuasive version of the teleological argument (argument from design) for God's existence. Unlike more abstract philosophical arguments, Paley's argument uses intuitive, everyday examples that make it accessible and powerful.
Paley's central argument begins with a famous thought experiment—the watch analogy:
Imagine: You are walking across an open field (a heath) and you find a stone. Someone asks you how the stone got there. You might answer that you don't know—perhaps it's always been there. This answer seems reasonable. After all, stones are natural objects, and there's nothing obviously strange about finding a stone in nature.
But now imagine: Instead of a stone, you find a watch lying on the ground. Someone asks how the watch came to be there. You would not give the same answer. You would not say, "Perhaps the watch has always been here" or "Perhaps it occurred by chance".
Why? Because the watch displays obvious marks of design and purpose:
The key insight: When we observe complexity and purposeful arrangement of parts working together to achieve an end, we infer the existence of an intelligent designer—we don't appeal to chance or say it always existed.
Paley's brilliant move is to apply this same reasoning to the natural world: Just as the watch has complexity and purpose, so do natural things. In fact, natural objects display vastly greater complexity than any watch.
Paley argues that the human eye is far more intricate than any human-made device. The eye has multiple components—the cornea, lens, retina, optic nerve—all precisely arranged to work together for a specific purpose: vision. This coordinated complexity cannot have arisen by chance.
By the same reasoning that proves a watch had a maker, the eye must have had a designer. Paley states: "There is precisely the same proof that the eye was made for vision, as there is that the telescope was made for assisting it".
Paley catalogs numerous examples of animal parts exquisitely adapted to their function:
Each adaptation shows complexity arranged for a purpose.
Paley also points to the orderly, mathematical regularity of the universe as evidence of design:
This regularity (what Paley calls "Design qua Regularity") shows that nature is governed by intelligently designed principles.
Paley distinguishes two ways that design manifests in nature:
This is design revealed through the complexity and purposiveness of things. Examples include the eye being designed for seeing, the heart for pumping blood, bird wings for flying. Individual structures are intricately designed to achieve specific purposes.
This is design revealed through the lawful, orderly operation of nature. Examples include the regular motion of planets, the consistent operation of gravity, the mathematical principles underlying nature. The fact that nature operates according to reliable, repeatable laws shows intelligent design.
Together, purpose and regularity provide cumulative evidence for God's design.
Although Paley presents his argument as an analogy, scholars argue it can be interpreted as a deductive argument:
Premise 1: Anything that has several parts arranged in a coordinated way to serve a specific purpose exhibits design.
Premise 2: The universe (and natural objects within it) has multiple parts arranged in a coordinated way to serve specific purposes.
Conclusion: Therefore, the universe exhibits design and must have an intelligent designer.
This deductive reading avoids some criticisms of analogical arguments, because it doesn't depend on the analogy being perfect—it depends on recognizing a property (functional complexity) that reliably indicates design.
An important part of Paley's argument is that the inference to design remains valid even when the design is imperfect: Just as a watch can go wrong, run irregularly, and still be clearly a designed object (not something that arose by chance), so nature can have defects, irregularities, and problems while still being designedly created.
A slightly defective watch is still obviously a watch made by a watchmaker. Similarly, a universe with pain, disease, and suffering can still be the design of an intelligent creator.
The argument for design is cumulative and independent for each example:
As Paley argues: "The proof is not a conclusion which lies at the end of a chain of reasoning, of which chain each instance of contrivance is only a link, and of which, if one link fail, the whole falls; but it is an argument separately supplied by every separate example.... The eye proves it without the ear; the ear without the eye".
In other words, each instance of apparent design (the eye, the ear, the heart, the planets) is independent evidence for design. The argument doesn't collapse if we find some parts of nature that seem disorderly.
From his design argument, Paley concludes that God must have certain attributes:
Paley was aware of criticisms by David Hume (from his Dialogues Concerning Natural Religion):
Hume's objection: Watches are artificial, human-made objects. The universe is natural. These are too dissimilar to argue by analogy that the universe has a designer just because a watch does.
Paley's response: The argument doesn't rest on analogy in the way Hume attacks. Paley isn't saying "watches are like the universe, so probably the universe is designed".
Rather, Paley is identifying a reliable indicator of intelligent design: functional complexity (multiple parts organized to serve a purpose). Both watches and natural objects (eyes, hearts, etc.) exhibit this property. Therefore, both warrant an inference to design, not because they're similar in other ways, but because they both exhibit this key property that indicates intelligent design.
Paley's argument was profoundly challenged by Charles Darwin's theory of evolution by natural selection:
However, Paley's argument is not completely undermined by evolution:
An important strength of Paley's argument is that it is cumulative:
This makes the argument resilient—it doesn't depend on any single example being perfectly convincing.
"In crossing a heath, suppose I pitched my foot against a stone, and were asked how the stone came to be there; I might possibly answer, that, for anything I knew to the contrary, it had lain there forever... But suppose I had found a watch upon the ground, and it should be inquired how the watch happened to be in that place; I should hardly think of the answer I had before given... There must have existed, at some time, and at some place or other, an artificer or artificers, who formed [the watch] for the purpose which we find it actually to answer; who comprehended its construction, and designed its use."
"Every indication of contrivance, every manifestation of design, which existed in the watch, exists in the works of nature; with the difference, on the side of nature, of being greater or more, and that in a degree which exceeds all computation."